Witches Automata

  Riding in the night hours, having sex in the stillness of the dead of night, seduced by illusions of the devil are ways of conduct that describe a witch throughout the centuries. This misogynistic rhetoric nourished by the church suggested that women’s lack of intelligence – an absurd reasoning
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Too many rituals for the too-littles

Disability is not just a health problem. It is a complex phenomenon, reflecting the interaction between the features of a person’s body and the features of the society in which he or she lives (Word Health Organization). The social body, initially detached from the biological body, renegades the human manifestation
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Mirrors and glass

  In the whirlwind state of writing, I rarely find myself clear-headed. Creatively distressed, I am agitating for transforming my thoughts into words that can be understood, accepting both the pure creativity of manipulating conventions through writing, as well as the finite nature of being stripped of their uniqueness when
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Timeless timing

  Fashion and the notion of time coexist in a parallel and complementary manner, although constantly contradict each other. Fashion’s eternity depends on heterochronous fragments, rowdy veering towards each other, toiling to characterize in their domination a specific time frame reference fathomable enough for the mortals to grasp. However, fashion,
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This character is multi-dimensional

  Way too often I am torn apart by the brutality of compartmentalization, categorization, and labeling that derive from society’s inability to accept what is not understood as well as its desperate need for order. Agonizingly navigating through a capitalistic everyday mayhem, we tend to find ways to exist, according
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Aesthetic Disobedience

 Η Rosalind Coward ξεκαθάρισε το εξής: το ένα πράγμα που κατηγορηματικά δεν είναι η μόδα, είναι η έκφραση της ατομικότητας. Η μόδα είναι ένας φανταχτερός, παραπλανητικός εξαναγκασμός που ανθεί στα λημέρια της μάζας, στα πόδια του οποίου σέρνονται αγκομαχούσες σκιές, εξωμότες της ατομικής θεώρησης του θαύματος της τελειότητας.   Το
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I am (not), I do

  Dress provides the gift of presenting our body and/or self at will. Within fashion history, designers use techniques and fabrics to enhance body morphologies, manipulate shapes, or create new ones. The body, after all, can be placed in the center of the definition of art, as well as at
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